We know about the swing. We know about the swagger. But what most Americans don't know about Venus Williams is how she changed the course of her sport. In a stunning case that captured the European public beginning in 2005, Williams challenged the long-held practice of paying women tennis players less than their male counterparts at Wimbledon. With a deep sense of obligation to the legacy of Billie Jean King, Williams lobbied British Parliament, UNESCO and Fleet Street for financial parity. And it was her poignant op-ed piece in The London Times that convinced many people that the Wimbledon tournament organizers were "on the wrong side of history." Roland Garros and Wimbledon finally relented in 2007. That year at Wimbledon, Venus became the first women's champion to earn as much as the men's singles winner (Roger Federer). VENUS VS. chronicles Williams' fight for pay equality.

Developed from a hugely popular web series and set in London, the 10-part comedy drama follows hapless romantic Venus, played by rising star Letitia Hector, as she hunts for Mr Right. Run-ins with the ex, old flames, new crushes and double dates mean there's never a dull moment in Venus's love life, while her friends also contend with man dramas and relationship woes.

A young girl Marie faces the troubles of growing up when her mother takes a new boyfriend home.

One night, at the end of the seventies, Venus, Paula and Miguel's band, performs its last concert.

People try to "improve" the classic Venus sculpture.

An erotic comedy in claymation.

Teenagers confused about love and intimacy.

The Venus Beauty Institute is opening up once more for our very great pleasure and well-being. New management, new staff and new clients. Also Venus now welcomes Apollo into her temple. Let’s make an appointment! In the snug, scented universe of the treatment rooms, confidences are exchanged, whispered or yelled while, outside, clouds and seasons pass by, carrying off with them crumbs of life. A comedy in pink and blue! Laughter, tears, intimate secrets and emotions mingle with the odour of hot wax, foutain-of-youth creams and other paraphernalia.

Former pop-star turned con artist Simon Delancey is kidnapped by two fans of his eighties band the Venus Hunters, and blackmailed to re-form the band for one final show.

After a failed suicide attempt, Dawn (Jodie Jameson) is sent by her psychiatrist on a trip to recuperate. She visits an old family flat in a remote apartment by the sea. Heavily sedated with medication and alcohol, she tries to decode her life through the pages of a journal. Walking on a deserted Norfolk beach she finds a dying mutant mermaid foetus. Initially repulsed, she becomes obsessed with it, takes it home and tries to resuscitate it. Dawn’s Swedish friend Milla visits at the weekend. While out drinking with Dawn, she catches a man at an unguarded moment and they end up in bed. In the cellar, the creature can sense the vibrations from the bedroom. Feeding off the sexual energy coursing through the flat, the creature strengthens and grows. After Milla leaves, Dawn checks on the creature in the cellar; it’s covered in a thin slime. Drawn to the smell, she tastes it and finds that it has hallucinogenic effects. Dawn’s life is about to get even stranger.